Welcome to Caitriona Balfe Fan, the largest fansite dedicated to the super talented and lovely Caitriona Balfe. Caitriona is most recognized for her role as Claire Fraser on Starz's Outlander and most recently as Ma in the Academy Award nominated film Belfast. Our aim to be a fansite for Caitriona fans that is informative, respectful, and elegant in its presentation of Caitriona. Feel free to browse our content and visit our ever growing gallery with 60,000 pictures.

Caitríona Says Her Role in Upcoming Film Belfast Helped Her Decide to Become a Mom


Written by admin on October 30 2021

Caitríona Balfe’s life is now imitating her art.

The actress, 42, discussed her upcoming coming-of-age dramedy Belfast during an interview with Variety, including how her role influenced her decision to become a mom. In the film, Balfe plays the mother of a young boy amid the unrest in Northern Ireland in the 1960s.

She said it was “not long after” she wrapped shooting the movie that she found out she was going to become a mother in real life, too.

“I decided I was having so much fun playing a mother, I would just go for it,” she joked, adding that she thoroughly enjoyed spending time with some of the child actors on set — including Jude Hill, Lewis McAskie, and Lara McDonnell.

She continued, “They’re just the most amazing kids, their mums were so cool, I was in a bubble with them and I think it sort of gives you a kick just to be like ‘I’ll do it. Why not?’ ”

Balfe announced in August that she and her husband, music producer Tony McGill, had welcomed their first child together.

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Caitríona Balfe Discusses ‘Belfast’ and Teases the New Season of ‘Outlander’ — In Gaelic


Written by admin on October 30 2021

From fashion model to actor, and currently taking on her most important role yet, a new mother, actress Caitríona Balfe looks to be having her most significant big-screen breakout yet with her awards worthy performance in the emotional drama “Belfast,” opposite Jamie Dornan. On this episode of the “Variety Awards Circuit Podcast,” Balfe talks about getting the call to shoot Kenneth Branagh’s semi-autobiographical story for seven weeks during the pandemic. She also discusses her gratitude to be working during a time where there is no further delineation between film and television, and having the freedom and creativity to explore both of the realms.

Finally, get out your favorite translation app, because Balfe teases the upcoming season of “Outlander” in her native Gaelic language, discussing where her character Claire and Jamie (played by Sam Heughan) are headed in the upcoming season, scheduled for release in 2022.

Written and directed by Kenneth Branagh, “Belfast” tells the semi-autobiographical story of Buddy (Jude Hill), a young boy who lives in Northern Ireland during the tumultuous late 1960s. Alongside his working-class family that includes his parents (Jamie Dornan and Balfe) and grandparents (Ciarán Hinds and Judi Dench), the family faces life lessons and decisions that could break the family apart. The film has received critical acclaim after premiering at the Telluride Film Festival and has won multiple audience prizes on the festival circuit. At the moment, “Belfast” is one of the leading contenders for the Oscars in multiple categories including supporting actress for Balfe.

Balfe has established herself in the television realm, most notably as Claire Randall in Starz’s hit series “Outlander.” Focus Features’ “Belfast” marks only her tenth performance in movies, after having worked with filmmakers such as JJ Abrams (“Super 8”), Jodie Foster (“Money Monster”) and James Mangold (“Ford v Ferrari”), the latter of which was nominated for best picture.

Listen to the full interview with actor Caitríona Balfe in the latest edition of Variety’s Awards Circuit Podcast below!

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Kenneth Branagh Gave Jamie Dornan, Caitriona Balfe ‘Freedom’ In Their Portrayals of His Parents


Written by admin on September 25 2021

Portraying your director’s real-life parents in a movie can be daunting, but “Belfast” stars Jamie Dornan and Caitriona Balfe say Kenneth Branagh gave them the freedom to improvise in the film based on his childhood.

“As Ken said, this is the script version of his parents, and I think he didn’t want to do an exact … he very much gave them over to us,” Balfe told TheWrap’s Steve Pond in a virtual interview during the Toronto International Film Festival. “He was like, you create this, we want you to bring what you feel from the page into your character, so I think luckily he wasn’t stopping us at any point saying, no my mum didn’t do that or my dad didn’t do that. He gave us a lot of freedom and within that, I think that pressure just goes if you’re allowed to just play.”

Dornan added: “I feel that Ken is very open like that. I feel there were moments where we were able to improvise some stuff… there are definitely ad libs here and there but again, Ken sort of trusted us.”

Dornan said that Branagh would even ask the duo for advice in certain scenes given that both Dornan and Balfe are from the northern part of Ireland, so the “colloquialisms sit very strongly within us,” Dornan explained.

“[Branagh’s] siblings were pleased with the casting, especially Caitriona, probably less so with me,” Dornan joked.

“Belfast,” filmed in black and white, follows Branagh’s childhood in the late 1960s. Branagh wrote and directed the film that also stars Ciaran Hinds, Judi Dench, Colin Morgan and Lara McDonnell.

“The first time I read the script it was the first time I read something about Northern Ireland that wasn’t about the ideology,” Balfe said. “It was about this love of family and love of community and the first time I read it, I totally teared up… it’s a love story to his childhood and the place he grew up.”

Dornan said that the script came to him during the first lockdown due to the coronavirus pandemic, and the screenplay resonated with him because he was feeling homesick for Belfast, where he was born.

“This came to us during the first lockdown where we were all in a state of disarray and pondering whether movies would ever be a thing again,” Dornan said. “I was thinking about home a lot. I was writing a script that was set at home, I couldn’t get home — when I say home I mean to the north of Ireland to Belfast — Home was on my mind, and then I got a script called ‘Belfast.’”

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Caitríona Balfe’s Belfast is for ‘the people, the community, the heart’ of Ireland


Written by admin on September 19 2021

The actress opens up about fusing personal history with the scars of her homeland’s divided past in Kenneth Branagh’s tribute to lives “destroyed by this ridiculous sectarianism and ideology.”

Nothing soothes like a mother’s love, and Caitríona’s Balfe’s impassioned portrayal of a devoted mama bear protecting her family amid social upheaval in Kenneth Branagh’s Belfast (in theaters Nov. 12) serves as both a balm and a testament to the scars of her homeland’s bitterly divided past.

EW’s The Awardist recently caught up with the 41-year-old Outlander star (and new mother of one) out of the Toronto International Film Festival, where her turn in Branagh’s semi-autobiographical account of Ireland’s violent, three-decade sectarian conflict received standout reviews at the top of Oscars season. Below, Balfe breaks down how she fused personal history with Branagh’s heartfelt story, preparing to dance a sweet jig with costar Jamie Dornan for one of the film’s most touching scenes, and the catharsis of honoring of Ireland’s lives “destroyed by this ridiculous sectarianism and ideology.”

ENTERTAINMENT WEEKLY: Congratulations on the new baby!
CAITRÍONA BALFE: Thank you. I’m sleep-deprived, but cuddles make up for it!

Motherhood is a lovely segue into Belfast, because the maternal strength and heart you bring to this role is so moving. What were your initial conversations like with Kenneth?
He sent me the script before we’d spoken. It’s so full of heart, I got emotional reading it. As I said to him the first time we spoke, Ma just felt so familiar to me. You can’t help but think about your own childhood, your own mother. It touched me.

On one of our first days together, Ken had me, Judi [Dench], Ciarán [Hinds], and Jamie in a room together, and we talked about our upbringings. Ken asked lots of questions, we all shared. Even though this is Ken’s story, he wanted us to connect with the things personal to us, and find similarities between ourselves and his parents.

Did you have conversations with his family?
Ken’s parents unfortunately have passed, but his brother and sister make cameos in the film. I didn’t talk to them beforehand, but we met them during filming. Ken used so many of the crew he works with time and time again. It was a small crew in this bubble, I was in a hotel with the kids and their moms, so it had a family feel anyway!

You previously told The Irish Times that growing up in borderland counties wasn’t easy. The period of Belfast is about 15 years off from your childhood, but can you talk about how you channeled your experience into Ma?
Even though I didn’t grow up in Belfast or in the North, we were in such proximity that we were affected by it. Whereas Ma and Pa left Belfast, my dad, who was a police sergeant, was transferred to the border when I was a baby. Our lives were completely shaped by it. My mom left her close community in a very similar way to Ma. My mom has eight siblings, and she left all of them in this close-knit community to go and be on the border where my dad worked. We weren’t welcomed initially, because the police were regarded with a lot of suspicion and people in that area weren’t sympathetic to a provisional army. Doing the research, I watched so much footage from that time. When you see how your own people and these communities were just destroyed by this ridiculous sectarianism and ideology, and people who use that to drive wedges between people who’d lived completely peacefully for years, it’s heartbreaking… that conflict is still going on. But obviously there was the Good Friday Agreement and the peace process in ’98, which I was very much aware of at the time I was in Ireland. I know Jamie and Ciarán are from Belfast, and Judi’s mother is Irish, so we all felt a soulful connection to the movie. It’s funny how you see the British army and tanks coming through the town, and in my childhood I went through British army checkpoints into the North regularly, to go grocery shopping or the dentist.

There are political and social elements here, but Belfast is about family first. How does it feel to give a face to the people who lived this conflict? Is it cathartic?
When you get a script about Northern Ireland or that takes place in Northern Ireland, it’s always about the ideology. And this was about the people, the community, the heart. That felt special to celebrate that. Making it about the humanity of the people, of course it was rewarding. You feel a special responsibility to make sure that this is what’s important, and it feels especially timely in the last year because of Brexit, everything is heating up again. You want to just get people to see that this is what’s important; this rubbish about our side, their side, Ken speaks to it so well in the film. It’s just so ridiculous. We’re all human beings, everyone has dreams, we’re all that little kid, we’re all Buddy at some point. It’s so important to connect to that and remember that and to see that your supposed adversary is the same.

It’s a wonderful ensemble, and the emotional layers you and Jamie built are palpable. But there are great physical moments between you — particularly when you throw dishes at him! Was that improvised?
It was great, we got to do it a few times. Ken is so amazing, obviously we had the scene on the page, but he’ll let you play. There was freedom in it. Any scene where I get to throw things at people is fun! One of the things Ken emphasized was how these people love fiercely and laugh fiercely. Even if they’re arguing one minute, the next they’re dancing and kissing. Life is big and full, and Jamie and I enjoyed playing around with that.

Our first day together, we had a dance rehearsal for two people. Now that I’ve seen him dance on a beach in Barb and Star… He was like, “Oh, I can’t dance,” and I’m definitely not somebody who learns choreography well, so if there was ever a good bonding moment, stick two people who claim to not dance very well together for dance rehearsals!

Walk us through filming the dance. How long did you work on it prior to shooting?
Not very long! [Laughs] We had an amazing choreographer who’d steal us a couple hours between filming. It was a heat wave in London, so there were one or two days where it was 35 degrees Celsius or more, and we’re trying to learn these dance moves in a tiny bit of shade. We were dying. We didn’t want it to feel like they were too professional, so that’s my excuse for the very amateur-looking feel that we gave it!

What’s Jamie like as a dancer partner?
He’s one of those annoying people where he was like, “I’m never going to get this!” and then the day of filming, he just busted it out and I was the one making mistakes. He was perfect! It was good fun. Any time you get to do stuff like that, it’s freeing and fun. And it’s such a beautiful point in the movie. We watched Jude [Hill] while they filmed his close-up reactions to us dancing, and Jamie and I stood there like two proud parents. He’s so amazing and looked so angelic, but going through this whole range of emotions that Ken prompted. We were like, “Our son!”

You’re all getting huge acclaim out of the fall festivals. You’ve gone through this for Emmys on the awards circuit, but it’s still early in Oscars season. What does that waiting period feel like? Is it nerve-wracking or validating?
It’s lovely that people connect to it and enjoy it. I feel happy for Ken because I know how much he put into this and it means so much to him. To see people embrace it because it resonated with them, that makes me happy… It feels great when you enjoy the process of making something when the experience is special to you on a personal level. To see that go out into the world and touch people, it feels great. Even if it didn’t, it’d still be a special film to me. But the fact that it is… it’s the cherry on top.

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Press: Caitríona Balfe Welcomes Son with Husband Tony McGill


Written by admin on August 18 2021

Caitríona Balfe is a mom!

The four-time Golden Globe nominee, 41, has given birth to her first child, a son, with husband Anthony “Tony” McGill, 45.

Balfe announced the news on Instagram Wednesday, sharing a black-and-white photo of her newborn son’s hand and explaining that she’d taken a break from social media “to enjoy cooking up this little human.”

“We are so grateful for this little soul … that he chose us as his parents. I’m in awe of him already and can’t help stare and wonder at all the possibilities of who he will become, where he will go and what he’ll do on the big adventure of his life,” Balfe wrote.

Balfe used her announcement to promote organizations like World Child Cancer, Choose Love, Unicef and the UN Refugee Agency.

“Right now he seems so small and fragile and I constantly think how grateful I am that I live in a place, in a time where he is born into peace and safety and yet at the same time I see so many in the world right now that aren’t afforded that same privilege and opportunity … who are born into famine or war and how unjust it is that the same safety isn’t there for all children,” she wrote.

Balfe added, “Here in the west we have so much, we are so lucky and so if you’d like to join me in supporting any of the wonderful charities that need help trying to give those that are forgotten dignity and hope, we can give the gift of peace and safety and opportunity to a few more children.”

The actress and her Scottish music producer husband tied the knot in August 2019, at St. Mary’s Church in Bruton, Somerset, in the U.K. Much like their pregnancy news, the couple was discreet with their intimate nuptials.

Balfe later revealed that they “managed to squeeze it in” on a weekend off from production on her Starz romantic drama Outlander, which has been renewed for both a sixth and seventh season. She told The Philippine Daily Inquirer at the time, “What was most beautiful about it is that I had my very close family and friends there.”

“I just want to be happy in my life (laughs),” she added. “I want to stay sane. I’m lucky that I have a job that I love. It’s very important that your career can’t be your only thing. So, I feel lucky that I’ve also found someone who makes me very happy. As long as I can keep those two things going well, then I’ll be good.”

The Ford v Ferrari actress exclusively revealed their engagement to PEOPLE in January 2018, showing off her engagement ring at that year’s Golden Globe Awards. “It happened over the break. I’m very happy,” she said at the time. They were romantically linked as early as 2015.

Balfe previously shot down pregnancy rumors in 2019, writing on Twitter, “To all those who think it’s appropriate to ask. No, I’m not pregnant, just having my period and was bloated…. so yeah… thanks for asking. #notreally #notallstomachsarewashboards”

Back in 2016, she raved about playing a pregnant woman on Outlander during an interview with E! News.

“Obviously I’ve never been pregnant, so [Author Diana Gabaldon] was talking to me about it, and it was this thing about how you do feel sexy, and you do feel womanly, and it was great to be able to celebrate that and to watch this couple bond and really connect over their impending child,” she said. “We both thought that was really important.”

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Press/Audio: Outlander’s Caitriona Balfe Opens Up About Her Modeling Career


Written by admin on February 16 2021

Prior to her acting career, she walked the runways for brands ranging from Chanel to Victoria’s Secret.

Prior to playing time-traveling doctor Claire Fraser, actress Caitriona Balfe had a successful modeling career, walking the runways for fashion houses like Chanel, Louis Vuitton, and Givenchy, and brands including Victoria’s Secret.

“I was privileged to work frequently with Karl Lagerfeld in my early career as a model. Those were truly the highlights of my career back then especially when I got to work with him as a photographer,” she wrote on Instagram, eulogizing Lagerfeld when he died in 2019. “He was a true icon and a creative genius. I am so grateful I was fortunate enough to meet and work with him.

But not everything about her modeling experience was positive. During a recent appearance on the podcast Thanks a Million, Balfe opened up about how “tough” the industry could be.

“You’re supposed to just automatically be this fun, interesting, edgy person that fashion people want to be around, but then at the same time, you have to be so skinny and so androgynous,” Balfe said.

“[I was] constantly being compared to people. I think, as a young woman in your teens and twenties, that’s really really hard.”

She continued, detailing the criticism she faced, as a regular part of her job.

“There’s so many times where you would go in to castings or even fittings for jobs that you already supposedly had and somebody in the room would just be annihilating how you look or your lack of personality or you talk too much,” she said. “All in front of you, and it’s really tough. I have so much admiration for girls who can come through that unscathed.”

During the conversation, Balfe was clear that her career as a model provided her with opportunities she might not have received otherwise, but they came at a cost.

“In one way, it opens up so many doors and it does open your mind to so many things and it does give you an incredible education in a certain way. But in another way, it infantilizes you and it stunts you in so many other ways, and I think it takes a while to sort of like rebalance all of that,” she said.

Now, of course, Balfe is an actress, not only appearing in Outlander, but also feature films like Ford vs Ferrari. Additionally, she’s starting to work behind the camera; for season five of Outlander, she served as a producer, and she recently secured the rights to Sarah Crossan’s novel Here Is the Beehive. She’ll be working alongside Ocean Independent, the production arm of talent agency Emptage Hallett on that project.

Listen to the whole episode here:

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